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Arranging and floral design

The Dutch still-life arrangement

Lavish, tumbling vase arrangements modelled on the flower paintings of the seventeenth-century Netherlands.

Florists speak of a Dutch masters arrangement when they mean a tall, full vase of mixed flowers against a dark background, with striped tulips nodding at the edges and a few petals fallen on the table. The model is not a real bouquet at all. It is a kind of painting made in the Low Countries four centuries ago.

Photo: Willem Kalf, Public domain, via Wikimedia Commons

What it is

In the paintings, a vase of glass, stoneware or metal stands on a ledge and holds far more flowers than it could in life. Large blooms sit high and at the sides instead of in a neat dome. Stems curve outward in an S shape, and every flower is turned to show its best face. Insects, shells, fruit and drops of water are scattered about. The modern arrangement copies this: an urn, a loose asymmetrical outline, rich mixed colour and many different kinds of flower.

Where it comes from

Flower painting became a speciality in the Netherlands and Flanders around 1600, as new garden plants such as tulips and crown imperials arrived from the Ottoman lands and beyond. Rare bulbs were costly, and during the tulip craze of the 1630s some sold for huge sums. A painting was cheaper and did not wilt. Ambrosius Bosschaert, Jan Davidsz. de Heem, Rachel Ruysch and Jan van Huysum were among the leading names. Their bouquets were built from separate studies, so spring and summer flowers bloom side by side.

How it is made

Use a footed urn or a heavy vase with a ball of chicken wire inside to hold the stems. Begin with arching branches and foliage to set a wide, uneven outline. Place the largest flowers next, some high and some low, with one or two spilling over the rim. Fill in with smaller flowers, then add the lightest stems last so they float above the rest. Fruit, such as grapes or a cut pomegranate, can sit at the base. A dark wall behind shows the colours best.

What it means

The paintings were admired as displays of rare and costly plants. Many also carried a quiet warning. A wilting rose, a fallen petal, a fly or a snail reminded the viewer that beauty and life do not last. This theme is known as vanitas, from the Latin word for emptiness. A florist working in this style today often keeps a hint of it, leaving one flower past its best or letting a few petals drop onto the table beside the vase.

How to take part

  1. See the originals: the Rijksmuseum in Amsterdam and the Mauritshuis in The Hague both hold fine flower pieces.
  2. Choose flowers of mixed sizes and let tulips open fully and bend.
  3. Work in a wide urn with chicken wire, and keep one side taller than the other.

The flowers

Sources and further reading

About this page

Original text by the Phool desk, written with AI assistance. Customs vary from place to place. If we have something wrong, tell us.

Photo credits on this page

The small pictures above come from Wikimedia Commons under free licences. Some are cropped to fit.

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